The Vasari Corridor

Or, A Warning to the Curious…

Or, Always Read the Small Print…

Florence is one of those cities that I wish I loved a little bit more than I do. It’s not much more than a couple of hours away from us by train but we don’t visit that often. The reason? We quite like it, but we don’t love it. Yes, Venice is overcrowded, but Florence feels like that as well, only with cars. It feels like slightly hard work.

Against that, you have to set the fact that it’s a city absolutely jam-packed full of Really Great Stuff. And that might be reason enough for a visit in itself.

January, then, would seem the ideal time to go. And, more than that, we’ve found that there’s the chance to visit the Vasari Corridor. It leads from the Uffizi and above the Ponte Vecchio to the Palazzo Pitti. Commissioned by Cosimo I de Medici to a design by Giorgio Vasari, the idea was to minimise the time the Duke would have to spend in public – for reasons of safety rather than vanity – whilst moving between his home and the offices of government. They put it together in just five months in 1465.

Perhaps most excitingly, it grew to house a collection of over 1000 paintings by the great and good, including a unique collection of self-portraits by Rosalba Carriera, Rubens, Van Dyck, Vasari himself and many, many others. From 2013 onwards, 20th Century works were added including Chagall, de Chirico and Beuys.

Private group tours became available in recent years, before the corridor closed for renovation in 2016. And now it’s been opened again to the general public. This, therefore, was an opportunity not to be missed.

The day arrives. We set off at a not-unholy hour of the morning, making sure Mimi has sufficient food and drink to survive the day (as ever, she inspects her facilities before giving us her familiar “I suppose this will do” look) and take the Frecciarossa down to Florence. There’s time for lunch – a splendid plate of meats and cheeses and a spritz. and then we’re off for the main event.

I head for my favourite room in the Uffizi, which is probably my favourite room in any gallery, anywhere. The one that holds the three Maestà of Giotto, Duccio and Cimabue. And I notice that Cimabue is under a transparent plastic sheet. I ask an attendant if it’s about to be restored. She tells me that there’s a lot of electrical maintenance work going on in the gallery and so lots of works are under wraps. They chose a transparent wrap for this one so that the room at least has the illusion of looking as it was.

Fair enough. I wander onwards and notice that this is the case in many of the rooms. Indeed, some of the paintings are wrapped up completely and can’t be seen at all. Now, you might think this would spoil the experience, but that’s not the case. Because a combination of the ongoing work and the time of year means the gallery is – if not exactly empty – surprisingly uncrowded. The Leonardo room, where viewing the paintings is normally akin to a contact sport, is remarkably quiet. And this is the case throughout the museum. Despite the fact that there are works in almost every room that can’t be seen, this might be my best visit ever.

Then it’s time to make our way downstairs to the room adjoining the Cappellina Veneziana, the starting point of our journey across the Vasari Corridor. Centuries of great artworks await us…

Except…

…we’re in a corridor. A bare corridor. Ah, well, this is obviously just the entrance. We turn right at the end, and that’s probably where everything starts and so…

Nothing. Except an empty corridor.

Caroline asks, politely I should stress, where the artworks are.

The guide looks faintly embarrassed. There aren’t any on display at the moment and there are unlikely to be for another two to three years.

This, frankly, is a bit of a blow. I consider getting cross, but it’s not her fault and, I think, it’s entirely possible we just didn’t read the small print. We have paid, it seems, for a 25 minute supervised walk down a bare corridor. Yes, the views are nice and you get a look down into the interior of the church of Santa Felicita , but I’m not sure that’s enough on its own. There are lots of nice views in Florence which you can see for free just by wandering around. We have paid, it seems, 43 euros a head to walk down a corridor.

Okay, that’s a little unfair. That 43 euros does also allow you two hours in the Uffizi itself (possibly more as you probably won’t be checked once you’re inside). And, as I said, this is actually a pretty good time to visit.

We could get pissed off about this but decide not to. We’ve had a nice lunch, a walk around Florence and a couple of hours in one of the greatest galleries in the world. More than that, I think, it’s probably our fault anyway. We must have forgotten to check. So we do what we always do when faced with slightly disappointing situations. We go for a spritz and find a bar – the Caffe Amerini – with lovely friendly staff not too far from the station. We’re not paying Venetian prices here but that doesn’t matter. We are, after all, the people who’ve paid 43 euros to walk down a corridor.

Upon returning, I decide to check if we had, indeed, forgotten to check the small print. And what do you know? Halfway down the page, there it is :-

“Riportato oggi alla sua originaria nudità…”

Or, on the English page :-

“Restored to its original simplicity” 

Both of which I think are understating things just a little bit when a “No art to be seen here, lads” might have been preferable.

So, should you go? Well, for us it was a relatively short journey. Those travelling from further afield might well feel short-changed. Yes, there’s the chance to see the corridor as it hasn’t been seen before. Yes, the views are impressive. If that’s sufficient, then go ahead. Just be aware, that’s all.

As ever, Caveat emptor, folks!

The Yule Ritual

A Nathan Sutherland short story for Christmas

Everybody has their own Yule Ritual. When we’re kids it’s all about putting a glass of sherry out for Santa and a carrot for Rudolph. Or was it a carrot for Santa and a sherry for Rudolph? At any rate, the carrot was usually there in the morning and the sherry nowhere to be found. And then trying to sleep. The sound of mum going downstairs at an unholy hour of the morning to get the oven warmed up as the turkey – she kept a dossier – absolutely had to be in the oven before sunrise. The sound of her – I think I always knew it was her – putting down a pillowcase of presents at the foot of the bed together with one of dad’s old socks. The sock, I knew, wouldn’t contain anything more exciting than tangerines and, to be honest, they weren’t really the main event. But that was okay. It was part of the ritual. And I’m sure they did me good. I would keep my eyes closed and pretend to snore – this was back in the days when I actually had to pretend to snore – and I’d be aware of her presence on the threshold of my room. And then the door would gently shut, and the lights would dim. Both of us knew exactly what was going on, of course. But that was okay, too. It was part of the ritual.

   And then one day I realised I’d become older, but I had to keep it going. For mum’s sake more than mine. And we kept the pretence going for as long as possible. Until the ritual changed and became boozy Christmas Eves with friends, which always ended with rolling home on cold and frosty nights, keys fumbling in the lock, and exaggerated and always unsuccessful attempts to be quiet for fear of waking anyone up.

   And then the years creep up on you, and your friends have got older. And they have families now, and so they don’t want to do that anymore. And, perhaps, a Magical Christmas is now replaced with a “Quite Nice” Christmas.

   Then one day you wake up, and you’re in Venice now, and you have a wife and a mother-in-law and an unfriendly cat. But your best friend has a little girl and so, by proxy, the magic is back if only for a little while….

Dario and I had our thing. I always called it The Yule Ritual. He asked me why and I told him it was a Hawkwind thing. I remember his beer glass pausing, halfway to his lips. And then he smiled, and nodded, and never asked me again. Because, of course it was.

   We would go out to Mestre, to Toni’s bar on Corso del Popolo, on the twenty-third of December, and sit outside under the heaters. Originally that was so I could smoke. Then I quit, but we continued to sit outside anyway. Toni would bring us pints of Nastro Azzurro  – we were the only customers who drank pints and so he’d got the glasses in especially for us. Then there’d be slices of pizza, and we would pull our coats around us, shivering, as we watched people come and go. Office workers, clocking off for Christmas, having a final drink with their friends before heading home for the holidays. Desperate looking men in search of stores that remained open for last-minute shopping. Teenagers pretending to be cool, but all, secretly, excited about the holidays as the last little bit of magic hadn’t been extinguished yet. And families with small children who oohed and aahed at the lights, as even Mestre on a cold December’s night was not devoid of the Christmas spirit. Toni would join us when the customers had thinned out (strictly a small beer for him) and we’d raise our glasses and promise to see each other, same place, same time, next year. Then we’d make our way home, a little unsteadily, and keys would rattle in locks as we both tried not to make any noise, and Dario would tell Vally that I was a bad influence on him, and I’d tell Fede that Dario was a bad influence on me.

   It was what we did. It was the ritual. The Yule Ritual.

——————————————————

   ‘Sleeping again, tesoro?’

Federica. I hadn’t heard her come in.

   ‘Just resting my eyes, cara.’

   ‘Okay. Can you do that without snoring though?’

   I struggled to my feet, my back twinging from the effects of a little sleep on the sofa that had evidently turned into a big sleep.

   ‘I thought I’d find you hunting for presents.’

   ‘I don’t do that.’

   ‘Oh, you absolutely do. Don’t think I don’t know.’

   ‘Well, it’s a very Christmassy thing to do, isn’t it?’

    ‘Yes. When your six. I bet little Emily doesn’t do it.’

    ‘Oh, she does.’

    ‘And I bet you she doesn’t.’

    ‘And I say she does. I was round at Dario’s yesterday and – and – ‘ My voice trailed off.

    ‘Go on.’

    ‘We might have swapped notes on present hiding places.’

    ‘You told a six year old about the best places to hide Christmas presents?’

    ‘What can I say? I was being jovial uncle Nathan, that’s all?’ I gave her a hug and a kiss and changed the subject. ‘How’s Marta?’

   ‘Mamma is fine. Looking forward to Christmas with us. And she’s bought us an early present.’

   ‘That’s kind of her.’

   Fede rummaged in her handbag. ‘Well, it’s not really for us. It’s for Gramsci.’ She drew out a red and green velvet cat collar. ‘Isn’t this lovely? So thoughtful of her.’

   ‘Erm. Thoughtful. Yes.’

   ‘But there’s more. Look.’ She clicked a button on the top and lights flashed on and off as We wish you a Merry Christmas played in the background.

   ‘Wow.’

   ‘What do you think?’

   ‘I think it’s what every cat is looking for.’ I paused. ‘Actually, now I think about it, I think it’s what some cats might be looking for.’

   ‘Oh, he’ll love it.’

   ‘Do you mean that?’ I frowned.

   She shook her head. ‘No. But he hasn’t got to wear it for long. Just long enough for you to take a photo and send it to mamma.’

   ‘He’s never going to do that. Your mother’s met him, she knows what he’s like.’

   ‘I know. But she gets ever so sentimental about Christmas and so – ‘ she put her arms around me and kissed my cheek – ‘it would be ever so nice. Just a quick photo. She’d be so pleased. And I’ll forget about you hunting for presents’

   I sighed. ‘Okay. I’ll have a go.’

——————————————————

I winced at the sting of the antiseptic.

   ‘How is it?’

   ‘Not too bad. He seems to have missed all the major arteries.’

   ‘It’s a lovely photo though. He almost looks cute.’

   I looked at the photograph on Fede’s phone. Gramsci stared out at us with an expression that clearly said he would track down and kill anyone who dared to share it.

    ‘Yeah. I think almost is the operative word there.’ I dabbed at my hand again. ‘Ow.’

    ‘You’ll live.’ She patted my other hand and checked her watch. ‘Shouldn’t you be going? If you’re going to meet Dario for your thing.’

   ‘I should. I’ll have to step it out a bit.’

   ‘You’re not getting the vaporetto?’

   ‘I think I’d rather walk. See the lights, the decorations, all that sort of thing.’

   She smiled. ‘Look at you. I can hardly believe it’s the same man who’d discuss present-hunting strategies with a child. Will you be late?’

   ‘Wouldn’t think so. Even Toni doesn’t do lock-ins.’

   ‘Okay. Well, have a good time. I know it’s important to you both.’

   ‘We will. Big foaming beers are waiting!’

   ——————————————————

As a wise man almost said, the Venetians know how to keep Christmas well. There was the tree in Piazza San Marco, ice skating in San Polo, choral music in churches throughout the city and roast chestnuts really were sold in the streets. But best of all, it didn’t start until December. On the other hand, nobody had ever heard of Slade, but that seemed like an acceptable trade-off.

    I made my way down through Rialto, and then up through Strada Nova. It wasn’t the most direct route, but I wanted to see the lights on the palazzi on the Grand Canal and even Strada Nova, thronged with both visitors and locals, still had a little magic about it. I stopped to buy some roast chestnuts, remembered I didn’t really like them, and stuffed the bag into my pocket. At least they’d help to keep me warm.

   The Christmas lights lined the streets all the way up through Cannaregio and up through Lista di Spagna. The railway station looked as festive as it ever would and then, along with everyone else, I made my way uncertainly over the Calatrava bridge to Piazzale Roma, nervously testing each step for fear that frost would have turned each glass panel into a death trap.

   Dario was waiting at the bus stop, his breath steaming and stamping his feet to keep warm.

   ‘I thought you weren’t going to turn up for a moment there.’

   ‘Wouldn’t miss the ritual, Dario.’ I took out the packet. ‘Roast chestnut?’

   ‘Thanks man, but I don’t really like them.’

   ‘Oh.’ I put them away again.

   The bus hissed to a halt behind me, making me start.

   Dario chuckled. ‘The same as last year, then?’

   ‘The same as every year, Dario.’

   ‘Large beers? Pizza slices? Sitting outside under the heaters?’

   ‘Wouldn’t be Christmas without it.’

   ‘Oh, and that song you played for Emily?’

   ‘Slade? Merry Christmas Everbody? She doesn’t like it?’

   ‘Too much. She won’t stop singing it. It’s driving us mad. She’s memorised the words.’

   ‘But that’s good, isn’t it? She’ll be miles ahead of anyone in English lessons.’

   ‘Hmm, that’s true. Yeah, that is pretty cool.’

   ‘I could lend her a copy of the Jethro Tull Christmas Album if you like?’

   ‘Maybe when she’s in Big School?’ He got to his feet. ‘Here we go. This is our stop.’

   Immediately, we could tell that something was wrong. Festive lights were strung across Corso del Popolo. The streets were busy. And every single shop, bar and restaurant was festooned with decorations.

   All except one.

   Toni’s was closed. Not just closed, but boarded up. A sign pasted on the door announced that it was becoming a nail bar in the New Year and they wished all their potential new customers the compliments of the season.

    Dario looked at me, and then down at his nails. ‘I’m not sure we’re potential customers, vecio.’

   I looked at the sign again, and ran my fingertips over the rough surface of the boards. ‘Oh hell, Dario.’

   He shook his head. ‘I just didn’t know.’

   ‘Neither of us did.’

   ‘When did we last come out here, Nat?’

   ‘Last Christmas.’

   ‘And we never thought to check. We just thought it’d always be here.’

   I looked down at my shoes, and then into the streets. Happy, laughing people who gave neither us nor the bar a second glance.

   ‘So what do we do now?’

   I ran a hand through my hair, and then a shop on the other side of the road caught my eye.

   ‘Okay. I’ve got a plan.’

   ‘Uh-huh.’

   ‘There’s a mini-market over there. What if I go over there, pick us up a couple of beers and some paper cups and, well, we’ll recreate the experience as best we can.’

   Dario stared at me. ‘Have you genuinely gone mad, Nat?’

   I shrugged. ‘Best I can think of.’

   ‘Nat, it’s freezing. You want us to drink beer from a paper cup standing on the street in the middle of Mestre?’

   ‘No?’

   ‘No. Terrible plan. In fact that might be the worst plan ever from a man with a history of terrible plans.’

   I was about to argue, but then sighed and shook my head. ‘Ah, you’re right. I mean, there are people in Mestre drinking on the streets for real. Wouldn’t be right, would it?’

   He shook his head.

   ‘You got any ideas, Dario?’

   ‘One. It’s called not freezing to death. And it starts with going back to Venice.’

   I ran my fingers over the boards once more. ‘But Dario, this was our thing. This was our Christmas thing.’

   ‘And so we’ve got to find a new thing. That’s the way Christmas works.’ He clapped me on the shoulder. ‘Come on. Back to Venice.’

   ‘And where?’

   ‘Only one place to go, vecio. Come on.’

——————————————————

‘What is this Ed?’

    ‘It’s a glassful of Comfort and Joy, Nathan. It’s a Festive Negroni.’

    ‘What?’

    ‘Just a Negroni. But there’s some burnt orange, brown sugar, star anise and – ‘ he grinned – ‘here’s the magic touch.’ He slipped a cinnamon stick into each glass, and slid them across the bar.

    He must have seen the expression on my face. ‘What’s wrong?’

   I did my best to smile. ‘Nothing. It’s just that, well, I’m sure it’s very nice and very festive and full of good cheer but – ‘

   ‘But what?’

   ‘I think what Nathan is trying to say,’ said Dario, ‘is that he’s a bit of a Negroni purist.’

   Ed scowled. ‘Nathan, I’ve spent hours on the internet talking to bartenders all over the world about this. And no Mister Scrooge comes into the Magical Brazilians at Christmas and tells me they’re a Negroni purist, all right?’

   ‘Mister Scrooge? I’m Mister Scrooge?’

   ‘The guy in that film with the Muppets? Right now, that’s who you’re being.’

   ‘Okay. Okay. I’ll give it a go.’ I clinked glasses with Dario. ‘Buone Feste.

   ‘Buone Feste, Nat. Buon Natale, Ed.’

   I took a sip, as did Dario. We looked at Ed.

   ‘What do you think?’

   ‘Fantastic!’

   ‘A masterpiece.’

   ‘You’re a genius, Ed.’

   ‘He is, isn’t he?’

   Ed looked at us both. ‘Really?’

   ‘Absolutely.’

   ‘Oh yes.’

    We smiled at each other. All of us, playing the game.

   ‘I mean, I could make you a regular one. If you’d prefer.’

   There was silence, but only for a moment.

   ‘That’d be great.’

   ‘Yeah, well maybe just make one up. And then we can compare them eh?’

    He smiled. ‘Okay. I can do that. Or maybe a hot spritz?’

   ‘Regular Negroni is fine.’

   ‘Oh yes. Don’t want to put you to any trouble.’

   Ed turned back to the optics behind the bar. Dario and I took another sip from our drinks, grimaced at each other, and then forced smiles onto our faces as a cold blast came from outside and a customer entered.

   ‘Sorry to gatecrash the party, everyone, but it seems I’m being Babbo Natale tonight.’ Fede stood there, a gift-wrapped box in her hands and a Santa Claus hat on her head. She wrinkled her nose. ‘Or should that be Mamma Natale. Although I’m not sure that’s even a thing. Ed, could you make me a Negroni?’

   ‘I tell you what,’ I said, ‘we can do better than that. Why don’t you have one of Ed’s Festive Negronis? In fact, why don’t you have mine?’

   Ed passed two regular Negronis across the bar. Fede smiled and picked one up. ‘Oh, that’s very kind, but that doesn’t seem very fair. I’ll just have one of these instead.’ She sipped at it, and her face lit up. ‘Ah, that’s what I needed. Now, just to establish ground rules. I’m not doing any of that Ho Ho Ho nonsense. And I’m not going to ask you if you’ve been good.’ She stared at me. ‘Especially you.’

   ‘Could I sit on your knee?,’ I suggested. The Festive Negroni must have been stronger than I thought.

   ‘Don’t push it.’

   I looked at the package in her hands. ‘Early present?’

   ‘I think it must be.’

   ‘I thought I’d found them all.’ Dario and I started to laugh, but then I saw the expression on her face and stopped.

   ‘It arrived a few weeks ago. There are still some hiding places you haven’t found.’

   ‘There are?’ I turned to Dario. ‘Damn, Emily’s let me down.’

   Fede sighed. ‘Anyway, you were supposed to get it today. It’s addressed to the two of you.’

   ‘Dario?’ I nodded at the package.

   He shook his head. ‘No. You should.’

   ‘No. Should definitely be you.’

   ‘Oh, let me.’ Fede rang a fingernail along the side of the box and tore off the wrapping paper. She looked inside and smiled.

   ‘Take a look.’

   Dario and I peered inside. Two large bottles of Nastro Azzurro. And two large beer glasses, of the type that no-one else in Mestre ever used.

   ‘There’s a card as well.’

   I tore it open. It was a postcard, not a Christmas card.  Azure blue seas and golden sands stretched away into the distance as Toni, resplendent in Hawaiian shirt and dark glasses beamed out at us.

   ‘Where is he?’, said Dario.

   ‘The Grenadines. I think. He says something about island hopping. He says he’s got a lock-up in Mestre full of stuff from the bar. And he thought we’d like to have these.’

   ‘Wow.’

   ‘He says he’s thinking about us. But mainly he’s thinking about cocktails and snorkelling. He says he’s enjoying it so much he’s going to go back next year.’

   And Dario smiled at me and rubbed his eyes, and reached over to hug me.

   ‘He’s got his own Yule Ritual now, vecio.’

In memory of dad, whose pint glass from the Old Kings Arms now rests in the drinks cabinet.

Nathan takes a well-deserved holiday next year, as we’re off to meet The Magus of Sicily in July. But, never fear, he’ll be back for Christmas next year and in a full-length novel in 2026.

My thanks to all of you for your support and, of course, to Hawkwind for the title.

And wishing you all a very Merry Christmas and a peaceful New Year.

Review of the Year

Well, here we are again. Another year ends with me apologising for not blogging enough on here. Really must do better.

In some ways, it’s been a bit of a difficult time. Those of you who follow me on Facebook will have seen all those monthly flights being logged back and forth to Bristol Airport. Basically I’m trying to spend a week in Wales every month for what are best described as difficult family reasons. I’ll admit I’ve been finding it a bit tough. I don’t like spending time away from Caroline (and Mimi) but, for the moment, the situation is what it is.

There’s been good stuff as well, of course. “The Venetian Sanctuary” came out to really positive reviews – possibly the best I’ve received. Not bad for a book that I was a little nervous about. Just goes to show, you’re never the best judge of your own work.

Next year’s book, “The Magus of Sicily”, is almost ready to go. I enjoyed writing this one and think that – if you’ve been enjoying the company of Nathan and Fede – you’ll enjoy spending time with Calogero and Nedda. That’ll be coming your way next July, with the paperback of “Venetian Sanctuary” out in April.

Elsewhere, Nathan makes his debut in the Netherlands next year with the release of “The Venetian Game” in Dutch; and “The Venetian Masquerade” is coming out in Estonia. Oh, and there’ll be a supermarket edition of “Venetian Game” over there as well, which is quite exciting as I’ve never cracked the supermarkets before. And on the writing front, well I’m just about to start work on the Nathan/Venice novel for 2026 and I’ve been enjoying getting back into his head again.

October saw myself, David Hewson, Gregory Dowling, Tom Benjamin and a host of others at the inaugural Venice Noir festival of crime writing. Or, Venice Noir 0.0 as we’ve been calling it. We’ll be back next year from the 14th – 16th November and it’s going to be bigger and better. Get those flights booked now, you’re not going to want to miss this one!

Next year also brings Gwyl Crime Cymru 2025 over the weekend of the 25 – 27th April. I can’t say too much more about this now other than that the programme is coming together very nicely and we hope to have a line-up to announce early in the New Year. We had a fantastic time in Aberystwyth back in 2023. Do come and see us this time, for a mixture of the very best in Welsh and International crime writing. It’s going to be a lot of fun. I might even stand you a Negroni!

Media-wise, here’s a few recordings with me from the past twelve months; in conversation with, respectively, David Hewson, Paul Burke and John Bleasdale about Venice, crime writing, Ian Fleming and lots of other stuff besides.

https://davidhewson.com/philip-gwynne-jones-the-accidental-novelist/

https://open.spotify.com/episode/3lmYDGUm6Zgu5jWBCWNArH

https://open.spotify.com/episode/6mudGk435jWWyb01UadClM

And if you’re interested in hearing me bang on about things other than crime, Venice and Italian Prog, I’ve started regular podcasting with my good pals from the House of Hammer podcast – Cev Moore, Adam Roche and Smokey (just Smokey). The pod covers the entire history of Hammer films – not just the horror – from 1935 until the present day. I join the lads in 1961, from “Taste of Fear” onwards and the entire back catalogue can be found here…….happy listening.


As I said then, it’s been a difficult year in many ways, but there has been good stuff as well. We shall see what happens in 2025.

This isn’t *quite* my last communication of the year. Keep an eye on your inbox. There might just be a little something dropping into it before Christmas.

With warmest wishes for the festive season and a peaceful New Year. And, of course, with my continuing thanks,

Philip

Signing the Sanctuary

Hi folks,

Well, we’re nearly there. Just two days, at the time of writing, before publication of The Venetian Sanctuary and I’ve a few events lined up in the UK to celebrate.

First up is publication date itself, July 4th, in which my friend Sarah Ward and I will be heading off on a mini-bookshop tour in South West Wales. We’ll be starting up with a signing at Gwisgo Bookworm in Aberaeron at 14.30, following up with an evening at Waterstones Aberystwyth at 19.00. We’re also hoping to fit in Victoria Books in Haverfordwest, but more news on that as soon as we have it!

In a happy coincidence, Sarah’s new novel, The Vanishing Act, is also out on July 4th. I’ve read it, and you should too. It’s terrific!

On July 11th, I’m delighted to be in conversation with another Crime Cymru pal, Bev Jones, at Waterstones Abergavenny at 19.00.

You’ll know Bev from novels such as Halfway and The Beach House. Oh, and Wilderness which you might just have seen on TV last year starring a certain Jenna Coleman! So join us as I ask the big question…just what does it feel like to see the TV adaptation of your novel being advertised on the side of an actual bus!?

And then, at the end of July, join me and the brilliant Trevor Wood at Goldsboro Books in London, from 18.00 – 20.00 on July 25th, as we celebrate the publication of his new novel The Silent Killer. The conversation will be sparkling and the drinks, as at any event that involves Phil and Trevor, will be doing likewise. Space is limited for this one, so if you can make it email either myself or Lucy at the address below.

Publication day is always exciting and never gets stale. A few copies have already been seen “in the wild”, so thanks to those of you who’ve posted photos on the socials. And, of course, thanks to all of you for your continued support. It’s greatly appreciated.

I hope you enjoy the new book, and hopefully we’ll see each other sometime, somewhere in July!

Cheers

Philip

Gŵyl Crime Cymru Festival 2024

Hi everyone,

I’ve been away from the blog for a while, which isn’t to say I haven’t been busy.

We’re only a few months away now from the launch of The Venetian Sanctuary and, as a sort of mini-prelude to that , The Venetian Candidate came out in paperback on April 4th. So it was a delight to spend some time in Aberystwyth with my friend Alis Hawkins (whose The Skeleton Army came out on the same day – and if you want a new historical crime series to check out, look no further than her “Oxford Mysteries”) at an evening presentation at Ceredigion Library. Thanks to everyone who turned up!

A visit to Edinburgh also enabled me to see Hawkwind for what – sadly – might be the last time. That’s hard to take on board. It’s been 39 years since I first saw them and so this was bittersweet to say the least. But if this is to be the last one, well, it’s been a hell of a ride and this was a good one to go out on.

But the big news this month is this year’s Gŵyl Crime Cymru Festival 2024, coming your way from Wednesday April 17th. We’ll be back live in Aberystwyth next year, but this time we’re exclusively online and all events are FREE.

Tickets can be reserved at https://gwylcrimecymrufestival.co.uk .

I’m greatly honoured to be Chair of this year’s event, but it really couldn’t have been done without the huge amount of work put in by Cathy Ace, Jacky Collins, Wini Davies, Jacqueline Harrett, BE Jones, Alison Layland, Chris Lloyd, Chloe Tilson, Sarah Todd Taylor, Sarah Ward, GJ Williams and, of course, our tireless festival administrator Gail Williams. Thank you all so much.

The panellists are a brilliant mixture of the best in Welsh crime writing, and the best international authors as well. I think there’ll be something for everyone to enjoy over the eight days of the festival.

I’m in conversation with Marsali Taylor and Andy Griffee on the appropriately named “Watery Graves” panel on April 19th, at 18.30 (BST).

Hoping to “see” you there, and wishing you all happy reading and happy viewing!

Philip

A Shocking Red December

A Nathan Sutherland short story for Christmas

Lucia Frigo and Gramsci stared across my desk with the same look in their eyes.

They both wanted something.

In Gramsci’s case, the problem could be solved by accessing the box of kitty biscuits securely closed away in the highest cupboard in the kitchen; a space that – until now, at least – had proved beyond his ability to open. Not that he hadn’t tried.

Lucia, in black leather jacket and Iron Maiden T-shirt, and spiky-haired and Siouxsie-like as ever, was harder to read. She was one of the few living beings with whom Gramsci had found any sort of affinity, and the thought of the two of them making alliance against me was troubling.

‘So, how’ve you been doing, Englishman?’

I sighed. ‘Do we have to do the whole “Englishman” thing?’

‘Is “Mister Consul” better?’

‘A bit. Which is not to say that I like it. Why don’t you call me, oh I don’t know, “Nathan” or “Nat” and in return I’ll call you Lucia instead of “Siouxsie”?’

Her face fell. ‘But I like the whole “Siouxsie” thing.’ Then she smiled. ‘But okay, Nathan it is. So. As I said. How have things been since we last met?’

I picked up my desk diary and pretended to leaf through it. ‘Well now. When was that?’ I tapped at a page. ‘Ah, yes. Just over a month ago now. I helped you drag a refrigerator out of a waterlogged shop. And shortly afterwards a man called Matthew Blake blew his brains out in front of me. Strange days, eh?’

‘They certainly were Mister Consul – I mean, Nathan.’

I smiled. ‘Anyway, it’s good to see you again Lucia. How have you been?’

‘Good, I guess. The city seems almost back to normal now, doesn’t it? And it’ll soon be Christmas. That’s nice. I like Christmas.’ I must have looked a little startled. ‘Oh, don’t be fooled by the whole Goth thing. Even Siouxsie did a Christmas song.’

‘Two, I think.’

‘One of them’s a cover, though. Anyway, as I was saying, things are pretty good. Especially since all the press coverage stopped. The whole “Mud Angels” thing.’ She shook her head. ‘Never liked all that.’

‘But that was a great thing you did. Helping the city getting back on its feet after the flood. That was a fine thing, a kind thing.’

‘We just did it because it was the right thing to do. We never did it to get on TV or in the papers. And we sure as hell weren’t angels.’

‘Whatever. I made it into the papers for failing to stop a man shooting himself in the face. I think your way was better. And I think you should be proud of yourself.’

There was silence for a moment.

‘Is that your “Stop being my dad” expression?’

She nodded.

‘Sorry.’

‘So, if I could maybe get to why I’m here?’

’Sure.’

‘Now, do you promise not to overreact?’

‘Of course.’

‘It’s just that Christmas is coming up and and some of us thought that, well, it’s going to be a pretty tough one for a lot of people. You know, all those businesses that still aren’t back on their feet?’

‘Sure, I understand. I mean if you’re selling raffle tickets, by all means put me down for a few.’

‘It’s not that.’

‘Donation, then? That’s fine, too.’

‘Not that either. It’s me and the band. We’re doing a charity concert.’

‘You what???’

‘You said you wouldn’t overreact!’

‘I’m not overreacting. I’m completely calm.’ I took a deep breath. ‘Is this your death metal band? Toxic Disposition?”

‘No, it’s my classical flute quartet. Of course it’s Toxic Disposition. And don’t do that.’

‘Do what?’

‘You were going to put your head in your hands.’

‘I wasn’t.’

‘You were.’

‘Okay. I was. Look, erm, well Federica and I both went to see you once before and, well, – ‘

‘You hated it.’

‘We didn’t hate it so much as think that it wasn’t perhaps quite our thing, and so – ‘

‘You don’t want to come?’

‘It’s not so much that we don’t want to come – ‘

‘So you do want to? Brilliant! I knew you wouldn’t let us down.’ Gramsci hopped up onto the desk and purred. ’See. Even your nice cat approves.’

‘It seems he does.’ I sighed. ‘Okay then. Tell me more.’

‘It’s on December 20th. Campo San Giacomo dell’Orio. Where your pal Dario lives. Bring him along as well.’

‘Oh, I will. He’ll be thrilled.’

‘There’s going to be a few bands on. Not just us. It was kind of difficult to find a space, but Rocco – that’s my dad – used to help organise the old Communist Party festival in the square, you remember?’

‘Oh yes. Dario look me there to see a Genesis covers band one year. They were quite good. Whatever happened to it?’

‘The Genesis covers band?’

‘No, the festival.’

She shrugged. ‘My dad said they were running out of communists. Something like that. Anyway, he was really excited to be doing something in the square again.’

‘“A Christmas Evening with Toxic Disposition”. That sort of thing?’

‘Exactly. Well done, Mister Consul. We’ll see you there.’

And with that, she was gone, leaving me faced with a hungry cat and a difficult explanation.

———-

‘So, would you like to tell me all about it?’, said Fede, after I kissed her on the cheek.

‘About what?’

‘You’ve got your “I’ve done something wrong” face on.’

‘I’ve got one of those?’

‘Mm-hmm. I can tell. It’s my secret weapon.’

‘Damn. I never knew. Well, Lucia was round here earlier. You remember Lucia Frigo?’

‘Looks like Siouxsie, organised the Mud Angels, helped you solve a murder?’

‘That’s her.’

‘Plays guitar in a really terrible band?’

‘Yes. Yes, that’s her.’

Fede’s eyes narrowed. ‘What have you done?’

‘Well, her band are organising another charity gig. And this time it’s in San Giacomo dell’Orio, just before Christmas and so I thought…’ My voice tailed off.

‘You thought “Nothing says Christmas quite like an outdoor concert by Toxic Disposition, Venice’s only death metal band”?’

‘Well, yes. But you remembered the name. They must have made an impression.’

‘Oh, they did. It’s not a name I’m likely to forget.’

‘Come on, it’s Christmas, it’s for a good cause, it’ll be outside in the square.’

‘So, like last time, only colder?’

I nodded.

She sighed. ‘Okay. It’s a nice thing to do. And I suppose I’ve got a few more black clothes I can dig out. Are they expecting a big turnout for this?’

‘Dunno. I imagine they’re banking on the whole “Season of Goodwill” thing dragging people along.’

‘Well, you must know a few people you can call on.’

‘I suppose so. Dario, of course. Which means Vally and Emily as well.’

‘You’re going to ask them to bring a five-year-old to a death metal concert?’

‘All part of the Magic of Christmas, isn’t it? Then there’s Father Michael.’

‘You’re going to ask a priest to a death metal concert?’

‘Okay, okay, I can see the way this is going. Sergio and Lorenzo, then? A comradely Christmas festival, it should be right up their street.’

‘Combined age of about 150?’

‘I’m going to ask them to come along in the spirit of solidarity, and make a suitably comradely gesture to help those in need. I’m not going to ask them to join us in the mosh pit.’ I checked my watch. ‘Maybe I’ll head over there now. It’s been a fortnight since they last stole money off me at scopa…’

———-

Sergio’s face turned an all-too-familiar shade of purple.

‘Did I say something wrong?’

He said nothing, but the level of purpleness continued to increase.

‘I mean,’ I continued, ‘I know the music might not be your thing , but it’s in a good cause and, hey – ‘ I made a little thumbs-up sign and gave a cheery smile – ‘it’s all the comrades together, eh?’

From the expression on his face, I could tell that the situation had not improved.

Lorenzo coughed, gently. ‘I think Sergio’s problem here might be that we’re talking about the wrong sort of comrades.’

Traditori di tutti, ‘ muttered Sergio.

‘Oh, I see. The wrong communists?’

‘Exactly. You see Nathan, the trouble is that the event in San Giacomo dell’Orio was historically organised by the Communist Party of Italy.’

‘Er, right.’

‘And we – Sergio and I, that is – are the Italian Communist Party.’

‘What, all of them?’

Lorenzo sighed. ‘That’s not so wide of the mark, sadly.’

‘And so you can’t just let bygones be bygones?’

‘Nathan, there’s a Communist bar in Castello where they built a partition wall and knocked through a separate entrance in order that members of rival parties wouldn’t have to speak to each other.’

‘Wow.’

‘We did explain this to you before, as I remember.’

‘I’m sorry. I didn’t realise I’d have to answer questions on it three years later.’ I turned to Sergio. ‘Come on, Sergio. It’s in a good cause. Even Marx celebrated Christmas.’

‘Only because Engels was a bad influence. We’re not going and that’s an end to it.’

There was silence around the table, and then Lorenzo cleared his throat. ‘What’s this we Sergio?’

Sergio looked as surprised as I felt. ‘Lorenzo?’

‘I think perhaps I might go along. Thank you for the invitation, Nathan.’

‘Lorenzo? Are you crazy?’ He took a notebook from his jacket and flicked through it. ‘We haven’t spoken to Rocco Frigo since 1992.’

‘You keep a dossier?’, I said.

’Sure I do. Hard to keep track of things otherwise. Lorenzo, we haven’t spoken to Frigo in twenty-seven years.’

Lorenzo shrugged. ‘Then perhaps it’s time we did. We’ve spent so long waiting for the New Jerusalem to arrive. I must confess, I’m starting to wonder that it might not arrive quite in time for me to see it. So, in the meantime, if somebody wants to do something that seems fundamentally harmless and nice, then I think I’d like to go along. No matter what their father may or may not have done back in 1992.’

Sergio shook his head. ‘Et tu, Lorenzo’ he muttered.

‘Come on, Sergio,’ I said. ‘This is a Christmas charity concert. It’s not the Sino-Soviet Schism. Isn’t this a bit, well, pathetic?’

Lorenzo winced.

Sergio glowered at me and I tried to backtrack. ‘Well, I say pathetic. What I mean, really, is silly. Just a bit silly. That’s all. Nothing more than that.’

‘Silly, is it? Pathetic, is it?’ He took a deep breath. ‘So that’s the way it is.’ He laid his notebook on the table, and then patted his pockets. ‘Damn. Have you got a pen?’

‘Er, yes. Just a moment.’ I took one from my jacket, and passed it to him.

‘Thanks.’ He scribbled away. ‘Nathan – sorry, how do you spell your last name?’

‘Sutherland. S-U-T-H-E-R-L-A-N-D.’

‘Mm-hmm. Difficult for us Italians. There we go.’ He held the book up with a flourish. ‘Nathan Sutherland. December 18th, 2019.’

‘I’m in the dossier? You put me in your dossier for suggesting you come to a charity concert?’ I laughed, and then wished I hadn’t.

‘Oh, that’s funny as well is it? Well, maybe this is funny, too?’ He pulled out his wallet, extracting the notes that he’d won from me at scopa only minutes ago, and thumped them onto the table. ‘I don’t want your thirty pieces of silver, Englishman.

He turned, and stormed from the bar, slamming the door behind him. Then he returned, and placed a few notes upon the bar. ‘I think it was my round,’ he said, before leaving once more.

I stared at Lorenzo. ‘What just happened there?’

The old man took off his glasses, and polished them on his sleeve. ‘Old grudges die hard with Sergio, Nathan. He’ll come round, eventually.’

‘Yeah, but when?’

‘Possibly around May.’

———-

‘No luck?’, said Fede.

I shook my head. ‘I’ve called twice this morning. The first time I just got a No. The second time he’d worked himself up to Giuda Iscariota.’

‘I’m sorry.’

‘Yeah, me too. Stupid of me to have asked him. I should have thought more about it.’

‘I don’t think you can be blamed about not knowing all the intricacies of the history of the Italian Communist Party in the 1990s, caro.’

‘Or even the Communist Party of Italy.’ I shook my head. ‘I rang Lorenzo as well. Sergio’s not been to the bar since we had the argument.’

‘Wow. Has that ever happened before?’

‘June the seventh, 2003. He had a doctor’s appointment. Lorenzo wrote it down.’

‘So what does this mean?’

‘Lorenzo’s playing a lot of solitaire, I guess.’

Fede frowned. ‘I’m being serious. How long have they been friends?’

‘I don’t know, but I imagine Sergio has records. And anyway, how about me? I’ve only known him five years, and his main presence in my life has been to steal money off me at cards every other Thursday afternoon but still I’d, well, I’d miss the old bugger.’

‘Give him time. He’ll come round.’

‘I hope so. I haven’t got so many friends in the city that I can afford to lose one just because I know the wrong type of communist.’ I sighed. ‘Christmas, eh? You try to do a good thing and someone gets the wrong end of the stick and, well, it all ends in tears.’

‘Oh dear. Are you going to get morose?’

‘Just a bit. I mean, I’ve never been in a dossier before. I’ve never been denounced before. It feels significant, somehow, and not in a good way.’

‘Okay, this is obviously more serious than I thought. Negroni time?’

‘Oh, I think so.’

‘Good. Come on, then. And don’t worry about Sergio. It’ll sort itself out.’

I nodded, but wasn’t convinced that a man who had grudges dating back over a quarter of a century was likely to change his mind any time soon.

———-

The lights twinkled down on Campo San Giacomo dell’Orio, on a crisp and clear winter’s night. A temporary bar had been set up next to the church, selling mulled wine, whilst a street vendor sold roasted chestnuts fresh from the brazier; the aroma making my stomach rumble in happy anticipation.

       I’d been expecting a modest crowd, at best, but Venice had turned out for Lucia Frigo. True, the event might not have been Gabrieli or Monteverdi under the glow of the mosaics in St Mark’s. It might not even have been Nine Lessons and Carols from St George’s English church. But it had been a tough year, and it was nearly Christmas, and people were going to have a good time. As much as she might have hated the description, they were going to celebrate together with their Mud Angel.

       Families and friends snuggled together for warmth on benches, some of them casting envious glances towards the warm lights of restaurant windows, as Toxic Disposition brought their own special brand of Christmas magic to the sestiere of Santa Croce.

      ‘Thank you, Venice. Buona Notte, Buon Natale.’ Lucia held her guitar above her head, and smiled down at us.

We applauded as hard as we could, but I doubted the band could hear us if the ringing in their ears was anything like mine.

‘So what do you think?’, said Fede.

I looked at my watch. ‘About half past nine,’ I said.

She shook her head. ‘I’ll go to the bar while I’m waiting for my senses to return to normal. ‘Vin brulè ?’

‘I think so. What’s the alternative?’

‘Hot Aperol spritzes. That seems to be a thing now.’

I shuddered. ‘Vin brulè, then. Definitely vin brulè.’

The band, if truth be told, in hadn’t been all that bad. Viewed through slightly boozy, pre-Christmas lenses they had actually verged on quite fun and if Venice hadn’t known that what it really needed was a thrash metal version of I wish it could be Christmas every day, well, it certainly knew now.

Fede returned with a brace of drinks and pressed one into my hand; and I sighed happily as I felt the warmth spreading through my fingers.

 ‘Dario and Rocco seem to be getting on well,’ she said.

‘They are. He may be the wrong type of communist, but he certainly knows a lot about progressive rock. The last time I passed by, they were discussing whether the last great Genesis album really was The Lamb Lies Down on Broadway or if you could make a case for Wind and Wuthering.’

‘How were they managing to do that?’

‘Via mime, for the most part.’

Lorenzo came and sat down, a little unsteadily. ‘You know,’ he said, ‘some of this has got quite a good beat.’

‘You’re having a good time, Lorenzo?’

‘I am. At least, I think I am.’

I cleared my throat. ‘Any news from you-know-who?’

Lorenzo’s face clouded. ‘Sergio? Not a word. Between you and me, Nathan, I think he’s becoming decidedly grumpy in middle-age.’

A cough came from behind me. ‘Are you taking my name in vain, Lorenzo?’

I turned around. ‘Sergio?’

He nodded. ‘Just don’t say anything, all right?’

 ‘Look, about the other day, I just want to say – ‘

He shook his head. ‘Not now.’ He made his way over to where Rocco was sitting with Dario.

He held out an awkward hand, and Rocco, a little uncertainly at first, got to his feet. Then the two men shook hands, albeit briefly, and Rocco sat back down again. Sergio nodded, as if his work was done, and gave him a half pat on the back.

‘What just happened there?’, said Dario.

‘I think Father Michael might just call it a little Christmas miracle,’ I said.

‘Like that time at Live 8. You know, when Roger Waters and David Gilmour hugged each other?’

I winced. ‘Yeah, and look how that worked out.’ I looked over at Sergio. ‘So, erm, what happened?’

He sighed. ‘I had this strange dream, Sutherland. The ghost of Antonio Gramsci himself stood at the end of my bed and showed me my own past, present and future. And I decided, well, perhaps I had time to change.’

‘Wow. Really?’

‘Don’t be stupid, of course not.’ He sighed again. ‘I just thought maybe I’m not so young any more and I don’t have so many friends I can afford to lose the ones I have. And also, well, your wife phoned me and told me not to be pathetic.’

I looked over to where Fede was pretending to be looking at something on the other side of the square. ‘Hang on, I told you not to be pathetic and you put me in the dossier!’

‘I know. But she also said she’d kick my arse if I didn’t turn up this evening. It’s kind of the difference between the British and the Italians.’

‘Ah. I see.’

‘Anyway. I’m glad she did, you know?’

‘Uh-huh.’

‘There was quite a lot of talk about something called Tough Love. Whatever that is. And she also said it was a Christmas present. You’re a lucky man. I hope you know that.’

‘I know. I know. Smiling and saying yes has got me through much of married life. It’s why my arse remains unkicked for the most part.’

Sergio turned back to Rocco. ‘It’s quite good to be here.’

Rocco smiled. ‘It’s quite good to see you too, Sergio.’

‘But that band is really terrible you know?’

Rocco looked first left and then right and then mouthed the words I know once he’d assured himself that Lucia was nowhere to be seen.

‘That time in 1992. When I called you a Capitalist Running Dog. I – well – I’m sorry.’

‘Thanks. I’m sorry I called you a Useful Idiot.’

‘Are we good then?’

‘I think we are.’

Sergio turned to me and cleared his throat. ‘I was thinking about the other day. And, well, I don’t really do Christmas presents. Fact is, I don’t really do Christmas. Never been very good at being told to have a good time, I suppose. Anyway, I got you something.’

He passed me a small parcel, wrapped in the awkward way that only the single male can manage.

‘Sergio. I don’t know what to say.’

I made to put it away, but he shook his head. ‘No, I think you should open it now.

‘Sure.’ I slid my finger under the paper, and tore it open.

It was his notebook.

‘I was thinking,’ he said, ‘that perhaps I don’t need this any more.’

‘Wow.’

I got to my feet but he waved a finger at me. ‘That still doesn’t mean I do the hugging thing, Sutherland.

‘No. Of course not. I’m sorry Sergio, I haven’t got you anything.’

He shook his head. ‘You don’t need to.’ Then he grinned. ‘But you can at least give me those thirty euros you owe me from scopa.’

The End

Wishing everyone a very Merry Christmas and a peaceful New Year.

And for those who are interested, A Shocking Red December is a literal translation of the Italian title of Nicolas Roeg’s Don’t Look Now.

Season’s Greetings

Hi everyone,

Well, I’ve been away from the blog for quite some time now. Those of you who follow me on the socials will know why, but I’ll get to that in good time. Anyway, my apologies, and I’ll try to keep things a bit more up to date in the New Year.

So here’s a quick roundup of 2023. The Venetian Candidate came out to very gratifying reviews all round, including a glowing piece in The Critic, and Val McDermid herself supplied a quote for the cover (yes, still having to pinch myself over that one!). I did a lot of stock signings around publication date but, I have to admit, things were very London-centric this time. I hope to get a bit further abroad next time around

It was a busy year on the festival front – Crime Cymru, Iceland Noir, Newcastle Noir and the mini-event organised in Venice by Gregory Dowling, Tom Benjamin, David Hewson and myself. Next year, I have the great honour to be Chair of  Gŵyl Crime Cymru Festival 2024, which will be held online on 17/18/19 and 22/23/24 April. Further information to follow in the New Year, or why not sign up for direct updates via https://gwylcrimecymrufestival.co.uk ?

Next year’s Nathan novel – The Venetian Sanctuary – has been delivered to my editor with a scheduled UK hardback publication date of July 4th 2024. Hopefully, we’ll have a cover reveal early in the New Year. And on April 4th, the paperback of The Venetian Candidate will be hitting the shelves in the UK.

Now, 2024 is going to be just a little bit different for me on the writing front. Round about now, I’d expect to be settling down to work on another Nathan novel for 2025. But, after eight adventures, I think Nathan has earned a year off.

First of all, don’t panic! I am not abandoning the Venice series. I owe them far too much for that, and time spent in the company of Nathan, Fede, Dario and, yes, even Gramsci is time well spent. But I’ve had an idea for a Sicilian-based series for a couple of years now, and so the first novel in that series will be the big event for 2025. It will, I think, allow me to stretch my writing muscles and – crucially – I think it’ll help to keep the Venetian series fresh.

This means that in 2025, there will be a paperback of The Venetian Sanctuary and the first hardback in the Sicilian series (title not quite fixed yet). In 2026, there’ll be a paperback of the Sicilian novel, and a new Nathan hardback. And that’s the way things will progress over the next couple of years.

As I said, I’m not abandoning Nathan. But I’m very excited about the new series (and, yes, just a little bit nervous as well) and I think that if you enjoy the Venice books you’ll enjoy the Sicilian ones as well. I guess we’ll find out if I’m right in 2025!

Finally, and seriously, 2023 was indelibly marked for me by the death of my father, an event as unexpected as it was peaceful. I am truly grateful for all the messages of support I received. I’m sorry that I couldn’t reply to them all personally, it simply wasn’t possible, but each and every one of them helped more than you can imagine. Thank you all.

This isn’t quite it for this year. Keep an eye on your inboxes over the next few days. You might well see some seasonal goodies dropping in…but, in the meantime, I hope that your Christmas and New Year are all that they can be.

October Event : Four Crime Writers in Venice

Hi everyone,

Some of you might remember that Gregory Dowling, David Hewson and myself held an event and a signing at the Studium Bookshop in Venice last year.

Well, the good news is that we’re doing another one at 6pm on October 19th. More than that, we have moved on from being a Power Trio and are now a Fab Four as we’re being joined by Tom Benjamin, author of the Bologna-set Daniel Leicester novels!

Now, those of you who were there might also remember that space was *very* limited last year, so much so that it was pretty much standing room only and, unfortunately, not everybody was able to get in. So this year it would be really helpful if you could register your interest in advance – the earlier the better – and then, if necessary, we can move to a bigger space.

Studium’s website can be found here and they can be emailed at studium@themerchantofvenice.it

We had a great time last year, and hope to see lots of you there!

Cheers

Philip

To Aber and Back

It’s Gwyl Crime Cymru Festival 2023. It’s also 3pm on a Friday, and we’ve just checked into our hotel in Aberystwyth. Time, I think, for a leisurely lunch and possibly a swift pint before I clock on for ticket-checking duties at 5.00. There’s a nice Moroccan restaurant in the vicinity and I’m mentally running through which variety of kebab I’ll be making acquaintance with this afternoon and then…and then…my phone plings and it’s the GCCF WhatsApp group. Can I come round to the Green Room at Ceredigion Museum AS SOON AS POSSIBLE because there are 70 goodie bags for panellists that need filling with, well, random goodies RIGHT NOW.

After that, I’m straight into minding the shop at the museum as panellists arrive. Followed by the Dragon Parade along the front. In my Dragon Hat. Keep your dignity, Jonesy. As long as you keep your dignity, it’ll be all right. Well, that worked well, didn’t it?



Then we’re into the Gala Quiz Night, co-hosting with Bev Jones resplendent in deerstalker and me slightly less resplendent in the aforementioned dragon hat. The table with my wife, my agent and old friend James Oswald wins the main prize. This is, of course, a coincidence. I am aware that I haven’t eaten since breakfast, but improvise a splendid dinner from glasses of red wine and mini sausage rolls.

This sets the tone for the entire weekend. You might think that all of us on the organising committee would be passing the time in between panels drinking Martinis and lighting cigars with £50 notes. But in reality it’s a blur of running from event to event, from the museum to the library to back again and – am I checking tickets- am I the microphone guy- am I doing the three-minute “Close Up” reading – or, hang on, a I actually taking part in this panel myself? Tiredness is kicking in by now, and I almost refuse Cathy Ace admittance *to her own panel* and yet it’s only 9.00 on Saturday morning…

And then it’s Sunday afternoon, and it’s all done and, well, we did it. Wales has its own crime festival now, and it is, frankly, a bloody brilliant one! We pulled off a book festival of international standard in the space of about 16 weeks. And now, all I want to do is get home and start writing again. Actually, no, that’s wrong…what I want to do is sleep for about a week and then start writing again.

I met up with some old friends and made lots of new ones. I also learned some important lessons, perhaps the most important being *never go out drinking with Trevor Wood*. 2024 will be online, and that’ll be great as well, but – I tell you what – I cannot wait for 2025 when we’ll be live and back in Aber again!

I hope to see lots of you there!

24 Hours in Naples

Diego Armando Maradona is everywhere in Naples. To be fair, he always has been, ever since unfashionable Serie A strugglers Napoli snapped up the 24 year old wunderkind in 1984. He led them to two league titles, the Coppa Italia and Supercoppa, and the UEFA cup over the course of the following five seasons. To say that he is revered would be an understatement. His image, the replica shirts, the eponymous pizzas, the fridge magnets are everywhere. Diego is Napoli’s patron saint, the urchin from the wrong side of the tracks who dragged a club from the despised and derided south of the country to glory, and they will never forget him.

But, if possible, he seems more ubiquitous than ever this year. The reason is this : Napoli are on the verge of winning the Scudetto for the first time in 33 years. With twelve games remaining, they lead Serie A by a surely insurmountable 18 points. Banners and flags are already out, proclaiming them as Serie A champions with a third of the season yet remaining.

Tempting fate? Perhaps. But no other club in Serie A has Diego Maradona smiling down upon them…

But we’re not in Naples for Diego, inescapable as he may be. We’ve come for the Artemisia Gentileschi exhibition at the Gallerie d’Italia.

We took the high-speed Frecciarossa service from Venice. By booking ahead, we found Premium (somewhere between standard class and business class) tickets for 37 euros each way. And this is an absolute bargain. You get comfy seats with plenty of legroom, as well as complimentary coffee/biscuits/prosecco. It takes about five and a half hours, they apologise for being six minutes late and, really, it’s the only way to travel.

We stayed at the hotel Il Convento on Via Speranzella – good value, very nice breakfast, absolutely lovely staff. Would definitely stay there again. We head out for Negronis, and then off to the pizzeria La Speranzella for those wonderful Neapolitan-style pizzas with charred, pillowy crusts. Mine comes with an intensely rich tomato base, a layer of ricotta and – as a little bonus – half a meatball in the centre. It’s tremendous, but I regret having eaten so many snacks with my Negroni. The waiter discovers Caroline is a new Italian, and shakes her hand. Then we head back to the hotel, stopping to make a reservation for lunch at Antica Capri, for which they reward us with a glass of limoncello.

The following morning is grey and drizzly, but the Gallerie d’Italia is just five minutes walk away. Caravaggio’s final painting, The Martyrdom of St Ursula is upstairs in the private collection but, for once, mad old Michelangelo Merisi is not the main attraction. Today is all about Artemisia. It’s all about looking beyond the appalling events of her early life and that famous image of Judith beheading Holofernes (of which we see two other variations on the theme). It’s about Saint Catherine, Bathsheba and Susanna – inevitably surrounded by sleazy, leery men – and other great female figures of the Old Testament – and reminding us that, quite simply, she was a genuinely great artist. Feminist icon – that’s not for me to say – but the art is what remains. It’s what makes her great. It’s why, four hundred years after being the victim of some truly despicable people, she was ultimately the victor.

I’d say this is unmissable but, given it finishes on March 19th, the odds are you already have. And I’m sorry for that. It’s a wonderful exhibition.

There’s time for lunch, of course, at Antica Capri. Caroline has an amazing-looking stew of pasta e fagioli with seafood, under a crispy, charred pizza crust. I have a huge pile of crispy fried anchovies, with a bowl of chips on the side (I didn’t need them. I ate them anyway) and crusty bread. A bottle of Falanghina brings the total up to about 40 euros, and it’s terrific value. And then it’s time to head back to the station for the long, but blissfully comfortable, journey home. Napoli, the bookies predict, will probably officially win the scudetto in the first week of May. Diego will be looking down. I hope Artemisia will be too. There will be no better place in Italy to be…